Into The Night

Into The Night

In the 90s I started making images of empty city streets at night for a project on my photography degree in Sunderland. The need to create images at night became a partial necessity as my semi-nocturnal student lifestyle made it hard during the winter months to be up and about during the daylight. There was also a desire to capture the beauty and quiet of a city in the middle of the night, to make images that reflected the silence and peace I experienced when walking home from friends’ houses at 3 in the morning. 

I started to create images of empty streets, avoiding the cliched car light trails. I wanted to capture the feeling of being alone in spaces that would normally be full of people. It was both the aesthetic as well as the sense of loneliness that I wanted to put into my images.

13 years ago, now in Bristol (with a family, job, a regular sleeping pattern and feeling less alone in the world), I started up the project again. Swapping medium format film for full-frame digital, I have kept for the most part with making black & white images. I will use colour when it feels right, but my photographic eye and brain predominantly see the world in a monochromatic aesthetic. These images are about the interplay of light and darkness and how this creates tonality and combinations of shapes in the urban landscape.

Most of the images below are taken in Bristol, with a few images from my degree to show where it all came from as well as a commission of Nottingham’s Trent Bridge and The Roman Baths

 

Some of my university work on medium format film